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"Strange Clouds, Seal Beach" taken by Roger Camp

Issue Ten

Spring 2025

Breathing Exercise

To be well in a world that’s filled with injustice can feel like an insurmountable paradox.

An experiment with BDSM. A tent in the living room. A stranger who cleans dishes and gives great orgasms. An anteater with the power to dismantle colonialism. These are some of the healing strategies at work within Invisible City Issue 10.

The editorial staff of Invisible City are over the moon to present twelve thought-provoking pieces of fiction, poetry, and non-fiction that explore what it means to heal from the oppressive forces that make us unwell.

To breathe is to earn your keep on this planet. Every inhale is in defiance of a brain-scrambling combination of genocide, violence, sickness, and loss. Every exhale a rejection of racism, sexible, ableism, and fake news. We hope Issue 10 brings you the same vivacity it brought us in putting it together.

With love,


Lisa Fugere, Editor in Chief
Soo Shin, Production Designer
William Brown, Fiction Editor
Paulina Bylard, Fiction Editor
Zhirui Wang, Nonfiction Editor
Adam Wilson, Poetry Co-editor
Sam Busa, Poetry Co-editor
Fiction by Margaret Elysia Garcia, Photography by Roger Camp

Hang on, St. Christopher

His proposition arrived as a notification from a kink dating site she’d eagerly signed up for and then promptly forgot. His message came between a reminder for her annual colonoscopy, and an announcement that her insurance premium was increasing, along with several ads by her favorite shoe designer which she, of course, opened first.

Read the story →
Poem by Deborah L. Davitt, Art by JC Alfier

Words Written By Waves


The words written by waves
are always unwritten again
Read the poem →
Nonfiction by Natalie Mead, Photography by Roger Camp

Hey, Boogle

The tent is gray and orange—gray like the color of my face after a long bout of vomiting, or of my favorite wire-free bra after years of abuse and few washes. The orange is the sturdy International Orange of the Golden Gate Bridge. This is the same orange my friend Vivian wants to paint her house. The light coming through my living room window makes the gray tent fabric glow yellow, like the rotten-banana bruises in the crooks of my elbows. My husband Cory set up the tent silently, prodding our living room walls with the carbon fiber poles as he wrestled it into shape, finally moving the desk before sitting it flat on the floor. The tent domes so high that it blocks the view of the TV. This is something he gingerly noted, but knew better than to complain about, just as he knew better than to mention that tents aren’t meant to be in living rooms.

Read the essay →
Poem by Keith Gaboury, Art by JC Alfier

Chemo Visit


As I drove to the hospital to visit my friend Billy during his chemo treatment, a stray lightning
bolt struck a eucalyptus on the side of a wooded road. When the trunk collapsed 100 feet ahead, I
skidded to a stop.
Read the poem →
Fiction by Menasheh Fogel, Art by JC Alfier

Man in a Box

Sophie pulls away from the door, breathing hard, trying to decide what to do. She peers again through the peephole. The man is still standing there. The automatic hall light flicks off, yet she can make him out in the fading light from the small window above the stairwell. He appears perfectly normal, maybe a bit nondescript. He breathes motionlessly, gazing forward down the stairs. She wonders what he could possibly want, what he might be thinking.

Read the story →
Poem by Susan L. Lin, Photography by Roger Camp

INVERTEBRATE ORAL REPORT


The Human Animal vows never to eat
an octopus or a squid. What she really means
is she will never ever eat another one again.
They are her favorite nonhuman animals.
Read the poem →
Poem by Sheriff Olanrewaju, Photography by Roger Camp

Okiti Ogan


each head carries a spiky dagger, so big, against whoever incurs
their anger around the sandy fortress, often compared to Mount Sobi.
what creatures brazenly boast of menacing mandibles to strike uninvited ants?
like the Indian haladie, deep in their muddy mansion, basking in the elation
of the masses' inaction, they cut all incoming chunks with their two edge blades,
without resistance in their base, where public revenues slip into private avenues.
is empathy now a malady at the centre for siphoned candy? the words the soldiers
throw at ants: 'lancers for the trespassers'. please, let no ant dare jaywalk, lest its waist
gets savagely wasted, broken by the hounds manning the land where riches abound.
Read the poem →
Nonfiction by Michael C. Roberts, Photography by JC Alfier

The Look

Mr. Benson looked at me down the dinner table with a face, not like I had ever gotten before. I knew the look was different. It was not a look adults give to kids. Not a corrective look like from my third-grade teacher, peering over her glasses, when I talked without raising my hand; not bemused censuring from my father when I farted in church causing my older brother to snicker; not proud like my mother when I recited memorized poetry; not the tearfully sad look when they said grandpa had died.

Read the essay →
Poem by Kat Yeary, Art by JC Alfier

Prophet


When I was manic for a long time,
Einstein’s disembodied head
came out of the wall and explained
the architecture of consciousness to me.
Read the poem →
Fiction by by Luke Fegenbush, Art by Mary Catherine Harper

Useless Gestures

“I don’t know why I do the things I do. It feels like an accident, but I’m just the way I am. People hate it. I don’t want to impress anyone. I just want to be and I can’t even do that.” His knees were up by his chest in a defensive gesture, with his shoes on the coffee table, nudging the box of tissues aside.

Read the story →
Poem by Luca Fois, Art by JC Alfier

we must all decide again and again whom we love


In times of crisis, we must all decide again and again whom we love
and I choose you, everchanging body. I choose again my tongue, shouting
when my water bottle pretends to fall on the floor and my friend laughs at my shrills,
and thrilled by the news of a published poem, I choose my wiggly muffin tops,
and leave behind the comments you threw at me while I jiggled upstairs.
Read the poem →
Nonfiction by Lewis Scott, Photography by Roger Camp

The Fall

The Drive There

I rolled the windows down and drove toward the trailhead. The breeze carried in the sounds of birds, leaves, and distant traffic. Each familiar sight, sound, and smell filled me with bittersweet nostalgia as I embarked on this journey.

Read the essay →

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